Miniature linocut art makes it into a personal top 10

“Each little picture glows and lives…”

In a review of a mini art exhibition, at a coastal art gallery, my mini original print was a favourite.

Small art to help charities and new collectors

Art galleries often run exhibitions which specify a theme or some other criteria for art to be eligible for submission.

Mini, or miniature art is not uncommon, though 'postcard' size is a regular condition.

These 'small art' exhibitions are embraced by small and large prestigious national galleries, and all sizes between. They're aimed at helping new collectors and people who haven't had the confidence to buy original art, those working to a budget, and the experienced can explore a lot of artists in one event.

All the artwork is usually one low price which keeps things simple, and helps buyers focus on the art, rather than worry about whether the price is a fair one or not.

Often, a percentage of each sale goes to a good cause. Sometimes these exhibitions have another element to add excitement: the artist's identity is kept secret. Everyone pays the same price, but some might end up with an artwork by a big named artist.

Altogether, these art exhibitions are a feel‑good event for everyone. Buyers get something precious for a small outlay and see the work of many artists new to them, a charity benefits, and both the gallery and artists secure a modest boost to their income.

Small is a size

In these events, the art must be no bigger than a set maximum size, which is often less than 15 centimetres (approx 6 inches) in both height and width.

This exhibition, where the review below was framed, was run by South Street Gallery in Scarborough, UK. The maximum size was on the smaller end – making the art worth describing as 'miniature'. 10 x 10cm / 4 x  4 inches was the challenge.

The small art review

Small art, big movement, huge pleasure

Art in a personal top 10

The review (abbreviated) said…

Mini art has been around for centuries [ … ]
At South Street Gallery you can buy into 55 regional artists [ … ]
There's print and linocut, paint, pencil, photography and collage. [ … ]

You're looking through tiny windows onto big, big worlds. We asked ourselves, which would be our personal Top 10, and why? Not easy. Individually, each little picture glows and lives.

[ ...other artists listed... ] Lynne Roebuck achieves superb breaking waves through the medium of linocut [ ...more artists listed... ]

This exhibition was held in May 2009 at the beautiful South Street Gallery in Scarborough, North Yorkshire, UK.

Edit: May 2023. This gallery sadly closed a couple of years later. It was in an obscure back street off the beaten track that was also a dead‑end, and while the manager worked constantly on publicity and drawing people in, the gallery was difficult to find and not really on the way to anywhere. Location, location, location.

Drewery, Jenny (2009). “55 Artists Help Mini Art Make Big Impact.” Scarborough Evening News. May 20, 2009.

All my art begin outdoors - easel on the north york moors
Above: The small linoprint entered in this show and reviewed here. It was no bigger than 85mm x 90mm (3.3" x 3.5"). Edition: 10 – sold-out

Making the miniature lino print

I made this small linocut specially for this exhibition. It was a very limited edition of only 10 prints, or impressions as they're called.

All my art begin outdoors - easel on the north york moors
Above: "Wave" miniature linocut in a custom made 'stacked' (meaning two frames inside each other) and hand‑painted frame. Putting a tiny original artwork in a lavish frame like this gives it a 'big' feel. FInal framed size: 28.3 x 31cm / 11 x 12 inches – sold-out

The little print wasn't going to cover the cost of making it, but that wasn't the point at the time.

I wanted the artistic adventure, and it wouldn't take that long to make, I thought. At that point, I'd made only one small print before, and it had been a little bigger than this one.

The experience would be good for developing my linoprint skills. I was also curious to see what could be achieved, and artistic curiosity will be the death of this kitty.

When you're dealing with miniature blocks of lino, there's a number of challenges, and two are potentially catastrophic. The first is carving into such a small block of lino. The second is stopping the tiny blocks moving when passing through my printmaker's press.

The lino cutting tools I use are extremely sharp. Even so, a little pressure is still necessary to carve the lino. A tiny lino block is prone to moving and bending, even with the gentle pressure. A larger block is decidedly easier to carve.

My printmaker's press is not an Albion, designed specifically for block printmaking. I could neither afford, nor accommodate one. So I'd chosen a more adaptable, lower cost, smaller, but still high quality benchtop etching press.

It works differently to an Albion, because it has rollers. This means the pressure from the rollers can move a very small piece of lino as it passes through smearing the ink badly and potentially destroying the lino block!

Many of the prints in this edition were slightly mis‑registered as a result. You might think it odd, but collectors often like these little eccentricities, so long as the image is still attractive. I suppose it's evidence the print's been individually handmade